Contact:

Email: baker.tedd@gmail.com
Tel. 917.673.5340

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Also Available for:

• Private & Coporate Events
• Masterclasses
• Group Lessons
• Private Lessons
• Jazz Talks (Elemantary- College)
• Jazz Mini Concerts
• Guest Artist Residencies

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Tedd Baker
"...Tenor-man Tedd Baker demonstrate[s] masterful control of [his] instrument and of the hard-bop vocabulary..."
JazzTimes Review


"......strong tenor sax..."
Rifftides Nov 2006/ Doug Ramsey, Arts journal.com


"...added presence of local D.C.-area stalwarts like tenorist Tedd Baker just reinforces the...band's high quality."
David Franklin, JazzTimes, May 07


"Tedd did not so much play the sax as attack it; he owns that instrument...."
www.Yelp.com


"...Excellent soloist..."
The Davis Enterprise davisenterprise.com


"...tenor Tedd Baker...is a grandly talented improviser."
Allaboutjazz.com


"Tedd Baker tears it up..."
- Dr. Richard Holland INTERNET JAZZ RADIO 247





Tedd Baker - Mugshots
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JAZZTIMES Review of Tedd Baker's debut CD Mugshots

Saxophonics
September 2006 JazzTimes
Mugshots (MwaiMusic/Tedd Baker)

As the lead tenor saxophonist with the U.S. Air Force's Airmen of Note, Tedd Baker could be expected to be exceptional, and he is. His big muscular tone and perpetually moving lines produce hard-bop improvisations that grab the listener's interest and generate intense emotion on burning tunes like "Fruit Through Tears." On affecting ballads such as "Her Hands," however, Baker proves capable of a pensive tenderness. The leader wrote all the music, including the Bob Mintzer-like jazz-rock "Release Date," where his tenor solo suggests Mintzer, some blues and other well-crafted instrumental miniatures.

The players; pianist Harry Appelman, drummer Clyde Adams II, trumpeter Deandre Shaifer, altoist Lyle Link and bassist Kris Funn‹are from the Washington, D.C. area, and most are seasoned veterans. (Funn has been playing with Kenny Garrett, for example.) They do a fine job of executing Baker's sophisticated charts, both as an ensemble and as individual soloists.
-David Franklin





Jamaica Gleaner (review from Ocho Rios Jazz Festival)
By Winston Wilson, Jr., Staff Reporter, 2001


SATURDAY'S INSTALLMENT of the Ocho Rios Jazz Festival pleased the small turnout in no small way, first with the high quality of the musical presentations and then with persons being honoured with awards. It was Saturday, June 16 -- the penultimate day of the Ocho Rios 11th Annual Jazz Festival. A concert and awards night was held at the Windsor Ballroom, Renaissance Jamaica Grande Hotel, Ocho Rios. Performances swept the night from the Doron Johnson Jazz Ambassadors, the Terrence Blanchard Group, Ernie Ranglin and Irene Reid. It was hard to put a premium on anyone in particular since they all inspired.

Baker gave up both drones and short, sweet notes. The audience occasionally interrupted the group with spontaneous applause.
Doron Johnson and company started the evening with Copenhagen and continued through the rest of their set with numbers from Louis Armstrong's repertoire. With Johnson on piano, Michael Blanco on double bass and Tedd Baker on tenor saxophone, the instruments united to give the sweetest, most enchanting thrill. "I Found a New Baby", "Stars Fell On Alabama", "Trinkle Tinkle" and "What A Wonderful World" found new wings and soared to new musical heights. The trio have been playing together since only May 2001, yet they delivered with delightful maturity and skill.

The jazz ambassadors explored phrasing and tempo, answer and call, as each musician got his moment in the sun. Johnson's fingers kissed the piano keys like the sunset that had beckoned the night. Blanco dwarfed the double bass with his musical prowess. His expert fingers coasted on the strings to make exciting stops in the most interesting places. Baker gave up both drones and short, sweet notes. The audience occasionally interrupted the group with spontaneous applause.

Terrence Blanchard puffed his cheeks and blew and his trumpet released pleasant notes one after the other. He was fiery and urging, smooth and soothing as he made the audience tap or nod along and couples snuggle closer. A true master of his instrument Blanchard was accompanied by, Edward Simon (piano), Derek Nievergelt (bass), Bryce Winston (tenor saxophone) and Eric Harland (drums). Good music was the theme of the night as raw beauty escaped the instruments to caress the patrons. The first half came to a close with rousing applause.

A spirited, sexually explicit performance from Irene Reid closed the night. Myrna Hague, Ivy Graydon, Jackie Jackson, Fab 5, Peter Asbourne, Desmond Jones, Dean Fraser, Karen Smith, Winston Blake and Byron Lee were given special Millennium Awards for their roles in the development of Jamaican music. Past presidents of the Jamaica Federation of Musicians, Seymour Mullings, Horace Abrahams, Robert Peart, Headley Jones and Sonny Bradshaw were also honoured.



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